Apple brings melodrama to new iPhone microdrama inspired by telenovelas
The mobile-first “Shot on iPhone” series for the Mexican market uses the device’s camera for dramatic reveals and lingering close-ups.
News Search
Search Results
The mobile-first “Shot on iPhone” series for the Mexican market uses the device’s camera for dramatic reveals and lingering close-ups.
If your content isn’t structured for machine consumption, it may not show up at all.
The new creative direction includes Nick Ball spots, out-of-home ads and a redesigned logo.
Four agency leaders on what’s actually available on the platform, what they’re still waiting for and how it’s responding to early tests.
Ad Age editors go behind the 2026 America's Hottest Brands list—what other brands can learn from our 20 winners.
HomeNewslettersReturn to homepageReturn to homepageHottest BrandsCreativity Top 5Small Agency NetworkCMO Strategy & TrendsAgency Review TrackerBrand MarketingGM hires Nissan CMO to lead GMC and Buick marketi...
Small agencies are investing in roles built for emerging pressures, from AI adoption to in-house content production.
HomeNewslettersReturn to homepageReturn to homepageHottest BrandsCreativity Top 5Small Agency NetworkCMO Strategy & TrendsAgency Review TrackerSmall Agency PlaybookWhat makes a small agency successful as cli...
Proof Advertising saw its revenue plummet six years ago after a big account loss—behind its road to recovery.
Consumers want tangible things—not digital ownership—and will be spending big on their pets, plus other trends to watch.
New Quality Meats creative follows four characters navigating housing, parenting and employment while earning through deliveries.
HomeNewslettersReturn to homepageReturn to homepageHottest BrandsCreativity Top 5Small Agency NetworkCMO Strategy & TrendsAgency Review TrackerAgenciesFour former Madwell executives launch their own agencyGi...
Grant Gibbs and Ashley Gill (aka “A Twink and a Redhead”) on working with brands, including those that don’t seem familiar with the duo’s style of content.
Tombras created the retailer’s first national brand campaign, featuring a hidden school simulation.
Director Andreas Nilsson explores the fictional world in Preacher ads, supported by interactive features.
Brands that make culture make money, and a lot of that comes down to distinct brand assets.
Education around active ingredients and a bit of absurdist humor are winning over the demographic.
Cole Poska, partner and creative director at Beyond Studios, is winning new clients by pitching irreverent merch concepts to brands as @spaceboycole on social media.
Consumers don’t experience robotics, AI or future mobility through investor presentations and product announcements. They connect with stories, emotions and shared experiences. That’s why some of the mos...
Bayer’s head of media, Maria Givens, explains how media execs should be thinking about all things AI, including search, predictive targeting, agentic buying and in-housing.
Jonnie Cahill, CMO of PepsiCo International Foods, on the “scary moments” before the company’s World Cup WhatsApp campaign and how it is innovating while not betraying core brands.
The Curiosity campaign is the first time the candies have been given distinct on-screen personalities.
American Haiku’s “Pink Energy” focuses on the community that made the product a hit in the first place.
The brand continues its celeb-driven push to “make prediction markets more culturally relevant and engaging.”