Jane Wickline Is Down to Clown in “Dukes”
Emily Nussbaum reviews the musical comedy, in which the “S.N.L.” cast member partners with Liva Pierce in a revue about best friends with bad jobs and no girlfriends.
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Emily Nussbaum reviews the musical comedy, in which the “S.N.L.” cast member partners with Liva Pierce in a revue about best friends with bad jobs and no girlfriends.
Richard Brody reviews “Lost Chapters,” the first feature film by the Venezuelan director Lorena Alvarado.
In the documentary short “Sawyer Avenue, Sunday Afternoon,” by Bill Morrison, body-cam and bystander footage examine a confrontation between residents and federal agents, Jamie Kalven writes.
Dayna Tortorici writes on Emily Eakin’s new book, a group biography of Jacques Derrida, Michel Foucault, Roland Barthes, Louis Althusser, Jacques Lacan, Félix Guattari, Gilles Deleuze, and Paul de Man.
Ishaan Tharoor writes about the Trump Administration’s campaign to target alleged far-left terrorist organizations, and its attack on the International Criminal Court.
Jason Liebowitz interviews Abdou Sebushishe, a physician and a senior global-health adviser with International Medical Corps, about treating Ebola in the Congo.
The cyclospora outbreak lays bare our underfunded and overwhelmed public-health system. Jessica Winter reports.
Jennifer Gonnerman reports on a driver from Queens who, in early 2025, arranged to pick up a passenger in New York’s North Country, and has been in jail upstate ever since.
The G.O.P. is picking a nominee to challenge the state’s Democratic incumbent governor, Katie Hobbs, and a Republican congressional race is upended by allegations of sexual impropriety.
Rebecca Egan McCarthy reports on the closure of Aqueduct, a horse-racing venue in Queens, New York, in 2026, and what it represents about the sport’s fading fortunes.
Deborah Treisman interviews the writer Min Jin Lee about “Testing,” her story from the July 27, 2026, issue of The New Yorker.
An excerpt from “American Hagwon,” by Min Jin Lee, the author of “Pachinko.” In less than twenty-four hours, he would take the Suneung again, and, for the past three years, he had done little but sle...
Kelefa Sanneh on the song “It’s Five O’Clock Somewhere,” by Alan Jackson and Jimmy Buffett, which was a diversion from a genre that extolls the virtue of staying close to your home town.
Katy Waldman writes on new books, films, and shows about male friendship, including “Jackass: Best and Last,” “DTF St. Louis,” and “Who Needs Friends,” by the travel writer and former Brat Pack a...
Françoise Mouly speaks with the artist Lorenzo Mattotti about his cover for the July 20, 2026, issue of The New Yorker.
FIFA’s powerful president is remaking global soccer in his own image, Sam Knight writes. Can the sport survive him?
The recent subpoenas of Times reporters over an article about Air Force One make clear that the President is trying to threaten the press. Few protections are in place to stop him. Ruth Marcus writes.
Helen Rosner writes that Zoli, which anchors the sprawling East Williamsburg art space Amant, earns its experimental flourishes by delivering pleasure at every turn.
Justin Chang writes that, in this adaptation of Homer’s epic, the director’s signature realism grounds, without dispelling, the drama’s emotional and mythological power.
After a quarter century of wars in the Middle East, America is once again bedevilled by an intractable conflict of its own making. Robin Wright reports.
With every tournament, the possibility of a genuine surprise is shrinking, Anthony Lane writes.
Ruth Marcus on President Donald Trump’s July 16th speech about supposed threats to election security, as the SAVE America Act appears terminally imperilled.
Sam Knight writes about the English detectorist subculture of mudlarking, where ancient artifacts are spotted and dug out of the muddy embankments of London’s Thames River.
Flash fiction by Diane Williams: How generous his mother was to some people—but was she?